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10 Indeed, a number of propaganda pieces were created for theater stages. 113 Warsaw Uprising edit During the Warsaw Uprising (AugustOctober 1944 people in Polish-controlled territory endeavored to recreate the former day-to-day life of their free country. Polish culture during, world War II was suppressed by the occupying powers of, nazi Germany and the, soviet Union, both of whom were hostile. 41 A German police memorandum of August 1943 described the situation as follows: Pupils sit crammed together without necessary materials, and often without skilled teaching staff. 101 Tajne Wojskowe Zakłady Wydawnicze (Secret Military Publishing House) of Jerzy Rutkowski (subordinated to the Armia Krajowa) was probably the largest underground publisher in the world. 68 In line with Soviet anti-religious policy, churches and religious organizations were persecuted. 323 Madajczyk 1970,. . Within ten to twenty years, the Polish territories under German occupation were to be entirely cleared of ethnic Poles and settled by German colonists. 25665 Stoliński, Krzysztof (2004 Supply of money to the Secret Army (AK) and the Civil Authorities in occupied Poland (19391945). The Soviets at first intended to phase out the Polish language and so banned Polish from schools, 65 street signs, 74 and other aspects of life. Catholic Church and wealthy individuals contributed to the survival of some artists and their works.

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123 There were artists who performed for the Polish forces in the West as well as for the Polish forces in the East. 126 Salmonowicz 1994,. . 72 Polish cultural activities in Minsk and Wilno were less organized. 134 See also edit Olsak-Glass, Judith (January 1999 "Review of Piotrowski's Poland's Holocaust", Sarmatian Review, retrieved, The prisons, ghettos, internment, transit, labor and extermination camps, roundups, mass deportations, public executions, mobile killing units, death marches, deprivation, hunger, disease, and exposure. 58 Hence, theatrical productions were also boycotted by the underground. 16 Jewish musicians (e.g. 127 Grabski, Józef (2003). 28 Dozens of monuments were destroyed throughout Poland. 10 Ironically, restrictions on cultural performances were eased in Jewish ghettos, given that the Germans wished to distract ghetto inhabitants and prevent them from grasping their eventual fate. 38 It was expected that Polish children would begin to work once they finished their primary education at age 12. Odzyskiwanie zabytków, Tygodnik Przegląd,. Retrieved on b c Phayer 2001,. .

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Numizmatyczny, nr 1012 Nawrocka-Dońska 1961. Cultural life was vibrant among both soldiers and the civilian population, with theaters, cinemas, post offices, newspapers and similar activities available. 10 The occupying powers destroyed Polish book collections, including the Sejm and Senate Library, the Przedziecki Estate Library, the Zamoyski Estate Library, the Central Military Library, and the Rapperswil Collection. Nevertheless, underground organizations and individuals in particular the. Price-Patterson Ltd., Retrieved on 2009-05-b Ferguson 2006,. . 49 Thus, they sponsored the underground publication ( bibuła ) of works by Winston Churchill and Arkady Fiedler and of 10,000 copies of a Polish primary-school primer and commissioned artists to create resistance artwork (which was then disseminated by Operation N and like activities). 100 The two largest underground publishers were the Bureau of Information and Propaganda of Armia Krajowa and the Government Delegation for Poland. 90 Jagiellonian University issued 468 masters and 62 doctoral degrees, employed over 100 professors and teachers, and served more than 1,000 students per year. The Underground State's Department of Culture sponsored various initiatives and individuals, enabling them to continue their work and aiding in their publication. Polish literature and language studies were dissolved by the Soviet authorities, and the Polish language was replaced with Russian or Ukrainian.